Bob Pegg
words ~ music ~ place
contact: catsback@gmail.com
In the shows, I bring together story, music, song and verse to present a one-man entertainment on the chosen themes.
The exception is Rognvald’s Journey, which has toured Orkney and Shetland and was launched at the Edinburgh
International Storytelling Festival in 2008. This is a collaboration with Orkney storyteller Tom Muir, and clarsair Bill
Taylor, a great, epic adventure.
I also fashion shows on request for particular events: for example Come Listen to the Crofters, which Gaelic singer
Chrissie Stewart and I performed on behalf of Forestry Commission Scotland, in township sites and community venues
during 2009, the Highland Year of Homecoming, and The Bishop and the Big Feller at Carnasserie Castle in Argyll,
March 2011, with Historic Scotland and Kilmartin House Museum.
Some shows are suitable for a family audience, others for adults and older children. Please email if you would like more
information about any particular show.
Roots and Flutes presents the
sounds and stories of some of the
world’s oldest musical instruments,
including shells, stones, ocarinas,
bullroarers, panpipes and flutes. The
show has amazed and delighted
schools, festivals and community
venues throughout Britain.
John Rae of Orkney is inspired by
the life of the Victorian Arctic explorer,
who notoriously uncovered the fate of
Sir John Franklin’s expedition to
discover the North West Passage.
The story is told using Inuit, First
Nation and European folk tales,
together with song, music and verse.
Stones and Bones looks at the kinds of
stories, songs and music which might have
entertained people in prehistoric Britain. From
hunter-gatherers making music with beach
objects, to neolithic farmers and Celtic
invaders, the performance creates a world
where the forests and the sea provide food for
sustenance as well as being the settings for
fantastic adventures and the dwelling places of
mysterious supernatural creatures.
The Last Wolf brings together
stories, songs and verse about the
wolf. It uses medieval werewolf
stories, European Romany legend,
Highland tales of last wolves and
Native American tradition to reflect
changing attitudes to this
charismatic animal throughout
history and in differing cultures.
Rognvald’s Journey takes the 12th century
pilgrimage made by Orkney Earl Rognvald Kali
Kolsson, an episode from Orkneyinga Saga,
and fleshes it out with medieval music and
stories from the countries which Rognvald and
his companions visited. I am joined by Orkney
storyteller Tom Muir and harper Bill Taylor. The
saga story includes amorous dalliance in the
courts of Narbonne, the siege of a Galician
castle, and piracy in the Mediterranean. A
swashbuckling adventure story.
Fire and Ice blends Norse
myths - stories of Thor, Odin
and the trickster Loki - and
musical instruments from the
Scandinavian Dark Ages: bone
flute, Northern European lyre,
the Snorrie Bone, and the
Jorvik panpipes. Perfect for
museums and for primary
schools studying the Vikings.
The People of the Sea was inspired
by the David Thomson’s magical book
of the same name. It’s a quest for
stories about the supernatural
denizens of the deep, taking in
encounters with Scottish and
Scandinavian storytellers and their
tales of selkies, Finmen, giant girls and
magic millstones.
Stormy Weather came out of a commission
for Ullapool Museum in 2010 to put together
two shows about extreme weather
conditions. Such a fruitful theme suggested
song (the ballad of Sir Patrick Spens),
stories of bravery and wild supernatural
encounters, together with riddles and the
odd bit of verse, all now condensed into a
single performance.