Bob Pegg
words ~ music ~ place
contact: catsback@gmail.com
Since coming to live in the Highlands, I’ve spent a lot of time communing with the ghostly inhabitants of castles,
cathedrals, and neolithic tombs, finding out about their ways of life and, in particular, exploring the kinds of stories and
music they might have enjoyed.
In partnership with schools, museums, woodland groups - and organisations like Historic Scotland, Scottish Natural
Heritage, Forestry Commission Scotland and RCAHMS - I have worked on sites ranging from iron furnaces and
Caledonian MacBrayne ferries to Iron Age forts, telling stories, playing music, singing songs, and encouraging others to
do the same.
The Year of Homecoming offered some fertile opportunities, thanks to RCAHMS and Forestry Commission Scotland,
with storytelling on a huge map of Scotland in Holyrood Gardens, and the show Come Listen to the Crofters. with Gaelic
singer Christina Stewart, which featured everywhere from Eden Court Theatre in Inverness to Arichonan township in
Argyll; and with Mairi MacArthur I organised two minibus journeys from Strathpeffer to Ullapool with Alec Williamson, the
great Traveller storyteller.
I’ve also been involved in recording projects which consider the kinds of sounds and music that would have been
experienced by earlier cultures, providing the soundposts for Pictavia in Brechin, and co-ordinating and recording Out of
the Stones for Orkney Islands Council. Out of the Stones was launched with a performance in St Magnus Cathedral,
Kirkwall, and tracks from it have been broadcast on the Radio Scotland series Scotland’s Music.
Eagle and deer-bone flutes, deerskin
and clay pot drums, and scallop shell
scrapers make up the Stone Age Band.
It has featured in storytelling sessions
and hands-on workshops in places
which include Caithness Horizons and
Kilmartin House. Its unique sound can
be heard on the Out of the Stones CD,
and on the Learning and Teaching
Scotland website.
One of the great things about this kind of
work is that it gets you out of the house and
into the fresh air (that goes for the
audiences, as well as me). Here I am,
holding the deer-bone flute, on the banks of
the Dornoch Firth, telling stories of the Selkie
people - seals in the water, but humans
when they come on land. The event, which
was organised by Scottish Natural Heritage,
was attended both by humans and, behind in
the waters, truly, seals.
Together with Mairi MacArthur I organised the
annual Tales at Martinmas storytelling festival,
which ran in Ross-shire from 1999 until 2005. The
festival championed both Highland storytellers,
and performers from the Scottish Traveller
community. Events were held in venues from
Ullapool to Cromarty, and were attended by
people from as far away as Ireland, the West
Country and the Western Isles. Local folk and
Travellers mingled in a way that reflected the old,
amicable relationship between the two cultures.
Telling stories and playing music
at Auchindrain Township Museum,
in late 2010. Auchindrain
township, near Inveraray, was
occupied until the 1960s, so the
buildings are still in excellent
condition. A great place to visit,
and to remind yourself of a rural
way of life that was widespread
not so long ago. And a great place
to tell the old tales by the fireside.
Orkney Islands Council commissioned
the Out of the Stones CD in 2005. I
worked with clarsair Bill Taylor to make
recordings of the kinds of music that
would have been heard on Orkney over
5000 years, through the prehistoric,
Pictish and Viking and medieval periods
Some of the leading early music
specialists in the UK contributed to the
project. We launched the recording in St
Magnus’ Cathedral, in Kirkwall.
The Vikings are a favourite
theme for workshop sessions.
They’re good for costumes, and
offer plenty of roles for strong
women, as well as battles for
the belligerently inclined. They
have great stories too. In this
two-day holiday session in
Dornoch we had lots of music,
and ended with a performance
of How the Sea Became Salt.